This week, when the Enterprise answers a distress call, the attackers, a race called the Choraii, turn out to be the culprits behind one of the Federation’s worst massacres on record. They pick up an ambassador and his mysterious attaché, who can communicate with the Choraii via the almighty yazz flute. Now the crew has to carefully navigate the music of the spheres, and if they don’t C♯, they’ll B♭. Meanwhile, a band of farmers is on hand to complain about technology and flight delays. Is the group that shuns technology also too good for vowels? Which side of the sickbay bed did Dr. Crusher wake up on? How much of a bonus does an author get for including a saucer separation in their book? It’s The Children of Hamlin, the book that happens when a Jethro Tull album and a bottle of Mr. Bubble love each other very much.
If you were to ask a fan of Star Trek what Star Trek is “about”, there are some standard answers you’d probably get. I personally would say it’s about tackling the Big Questions and solving problems through reason, diplomacy, intellect, and non-violence. 