This week, we’re taking a look at Carmen Carter’s debut Dreams of the Raven, which is in fact a Star Trek novel and not a Sting album (I double-checked). The Enterprise answers a distress call that turns out to be a trap, and the stress of both the resulting casualties and a letter that dredges up some unpleasant feelings drives McCoy to drink. Before you know it, Bones falls down and breaks his crown, and the ship comes tumbling after. Will Kirk get back his trusted friend and adviser? How will the junior medical officer who is a highly conspicuous stand-in for the author fare in his place? And will we see this book in our dreams, or will we put it back on the shelf and say “Nevermore”?
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This week, we’re … saving the whales? Hold on, didn’t we just do that two weeks ago? Nevertheless, here we are, and although Deep Domain does share some themes with The Voyage Home, it travels a wildly different story path, as Howard Weinstein assures us in his Author’s Notes. How different, you ask? Missing officers, a military coup, family trouble, broken treaties, government secrets, isolated civilizations, and cetacean mutations—and those are just the ones I can rattle off the top of my head. And if that sounds like a lot for a <300pp. book to juggle, perhaps it won’t entirely surprise you to learn it’s not totally successful in that endeavor.
After bearing the brunt of Khan’s wrath and then searching for Spock, the Enterprise crew must now face the music and begin the voyage home for their inevitable court martial. Unlike the last two films, however, Star Trek IV: The Voyage Home is very much a comedy, and this week we’re going to see how that affects the normally unflappable Vonda McIntyre’s approach to movie novelizations. So let’s make like the Enterprise and slingshot ourselves backwards through time to 1986, a world of heavy pollution, hard currency, and double dumbasses…
Hot on the heels of Diane Carey’s debut Trek novel Dreadnought! comes its sequel, the similarly exclamation-marked Battlestations!. A hot new (well, not totally new) technology has been stolen, and Piper’s friend and crewmate Sarda is the prime suspect. Can Piper clear his name, wrest the technology from the hands of those who would use it for evil, and save the day once again? And will she look as good doing all of it in her non-regulation khaki flight suit as she did in her non-regulation flared black jumper?